Showing posts with label creative commons. Show all posts
Showing posts with label creative commons. Show all posts

05 April 2013

H817 Activity 9: Ask a superficial question....

Everyone knows the saying: "ask a stupid question, get a stupid answer".  What's unfortunate in that old cliché is the word "stupid", because it casts an implicit judgement on the asker.  Let's take that word and replace it with "superficial".

Ask a superficial question, get a superficial answer.

Isn't that far more constructive?

Now that we've done that, let's move on to the superficial question in question, or rather the superficial learning task:
"For your blog content and other material you produce, consider which of the Creative Commons licences you would use, and justify your choice."
[Activity 9, Open Education, the Open University]
Now I hd initially skipped it, dismissing it as a "stupid question", which was rather uncharitable and unconstructive of me.  But as more and more answers came through the blog aggregator from other course participants, I realised it was a very dangerous question that was leading to poorly thought out answers.  It was a superficial question leading to superficial analysis, which was leading my fellow students to draw conclusions based on inadequate data.

Blogs are atypical

The task asks about "your blog content and other material you produce", but in the end most people ignored that second bit because it was so vague.  The only seed the question planted for active consideration was that of the blog.

A blog is not reusable.  My blog is my opinion.  You cannot sell my opinion.  You cannot modify my opinion just by editing text (that would be putting your words in my mouth).  You may "share" my opinion, but only by virtue of having the same opinion as me, not by copying my exact words (that would be putting my words in your mouth).  Moreover, because it is opinion it is of very little value as a resource.  I do not want people copying my half-thought-out ramblings as though they have the same merit as a properly researched, reviewed, edited and professionally published article.  So there can and should be no "Creative Commons" license on my blog.  Quote me like you would anyone else; link to my post -- fine, just don't exhalt my witterings above their station.

In fact, one of the things I've always consciously tried to do when writing this blog is avoid the trap of the populist bloggers who are all buddy-buddy and effusive, and convince a lot of people that everything's good and great and exactly the way they tell it.

No, my blog is oftentimes abrasive and confrontational, because I don't want to convince anyone: instead I want to make everyone doubtful, skeptical.  I may offer suggestions aimed at resolving the doubt, but my first aim is to make readers ask themselves the right questions: deep, searching questions, not superficial ones.

I get what the course team were trying to do with the task they set -- they wanted to start with something that was relevant to all the students.  As always, though, focusing on relevance to the students distracts from relevance to the course aims.

Let's get one thing clear: a blog is not an "open education resource"!

That doesn't mean that blog copyright is entirely irrelevant, it's just a side issue, so it was inappropriate as the central question of the task.  As a warm-up, a lead in, it's fine.  But at no point did the task throw in anything more relevant for consideration; at no point did it say (for example):
How is the situation different for media resources such as photos, videos and music?
So let's ask ourselves that:

How is the situation different for media resources such as photos, videos and music?

A blog is inherently bound to its subject matter and its intended purpose.  Take this blog post, for example: it would be nigh-on impossible to repurpose it as an article on flower arranging, or an advert for a Mars bar.

But consider one of your wedding photo.  It can be used as a picture of your wedding, or it could be a picture of a wedding.

It could be used as the cover of an expensive bridal magazine, or the poster advertising a huge wedding convention.  Both of those are changing the "purpose" of the picture.  A flower arranger could zoom in and crop to leave just the bride and the bouquet and use it as her business card.  A little copyright notice on the card, and they'd still be adhering to CC-BY.  But it's suddenly become fundamentally dishonest -- that flower arranger didn't make your bouquet but they're implying they did.

And let's take it a step further.  What if someone takes your photo and photoshops it... to use in an advertising campaign for "XXXL Dating" or "Ugly Singles".  Suddenly your big day has been utterly defiled by pictures that are recognisably of you with all your minor imperfections exaggerated and laid bare for everyone to see... that slight gap in your front teeth widen to the width of a cigarette, the kink in the bridge of your nose opened up like one of the bends on the Manx TT course, and your slightly droopy eyelid now hanging halfway over your pupil, as though you've got no sight in that eye at all.


OK, this discussion is all within the ground staked out by the task, but at no point were we, as students, forced to think beyond the effects of licensing on our own blogs, which are in reality little different from the blether in pubs and staffrooms the world over.

How can we start thinking about the effects of licensing of something with high value and utility when they only ask us to consider something of low value and utility?


Perhaps if they had prompted us with something a little deeper than a the swimming pool in Barbie's dream house, we'd all be discussing the fundamental flaws inherent in Lawrence Lessig's original vision for and ongoing direction of the Creative Commons movement.

But that wouldn't do, because if this course encouraged us to look beyond the superficial, we would see that behind the veil of sophistication in this brave new open education world, there is no deeper meaning, no profound insights into the human condition or the learning process.

24 March 2013

Evaluating Open Education Resources (H817)

I'm getting rapidly disillusioned with the Open University's MOOC/non-MOOC Open Education.  After kicking off with a course "reading" that was a 77 slide PowerPoint file with no speaker notes, in week 2 they set a long reading from a decade ago, on a topic called "Learning Objects".  Now, it's not the length of the post in itself that bothers me, and the age is not a problem as this notion was a significant stepping stone to the open education systems of today... what winds me up is that after the link to the article, there was a little button marked "reveal" comment.  After the link.  So you would assume, wouldn't you, that it was to be read after reading the article... which is what I did.  Here is the content of the hidden comment in full:
Note: Downes goes into detail on many aspects that are not necessary for this course. You do not need to read the article in detail – your aim is to gain an understanding of what learning objects were and why they were seen as important.
... and you'll see why I was unhappy.  It's utterly sloppy design to leave you reading the whole thing before telling you not to!

This week's activities then follow on with one of the most spectacularly vague tasks ever, and judging by the stuff coming up on the course blog aggregator, I'm not the only person who thinks so.  Our task is to look at several repositories of "open education resources" (OERs) and evaluate the suitability of the material presented for assembling a course on "digital skills".

I'm presuming that they've chosen the task title "digital skills" to allow it to be an open task, but they've taken the original MOOC philosophy to its erroneous ultimate conclusion.  The philosophy of MOOCs (as embodied in change.ca) is the idea of learner independence, and the notion that learners work better when they can choose what to work towards, but yet unrestricted choice has been shown to be absolutely crippling, because with open choice comes indecision.  (If you're interested in this idea, check out Barry Schwartz's TED talk The Paradox of Choice.)

Consider also that many of the great artists imposed limits on themselves, such as Pablo Picasso's famous "blue period" (not that I personally rate Picasso's work much), in order to stimulate extra creativity.

But here I am with an excruciatingly vague task description, and there's nothing in the task to force me to narrow down and focus on a particular aspect of the large potential space of meaning before I am expected to wade through gigabytes of texts and videos looking for things that are specifically relevant or useful.

And the course to date hasn't given us any real guidance on how to evaluate the usefulness and applicability of the material anyway.  And we're back to this idea that there's no rules, and that individual creativity and "engagement" with material will show us the way, throwing out all the hard-learned lessons in pedagogy, instructional design and other closely related fields.

It is far easier to do a complex task by following a defined process than to try to intuit the process by attempting to complete the task.  Early guidance can develop good patterns of activity that are internalised over time and become automatic.